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sanatan hindu sikh shastarvidiya

the independent

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    sanatanhindusikh
    shastarvidiya
    theindependent

    In one corner of the gymnasium where Singh Nihang is teaching his class an array of weaponry has been ceremonially laid out on the floor.

    Students begin learning how to fight with relatively harmless wooden sticks but those who show a particular finesse and dedication are allowed to practice with the kind of swords that once made the Sikh armies so powerful.

    "This is one of my favourite weapons," says Singh Nihang as he picks up an undulating, serrated sword that looks uncannily like a snake. "It's very difficult to learn how to use, but it's also very difficult to fight against. The serrated edge confuses your opponent and allows you to sever muscle tendons in battle. It's a very nasty weapon.

    "The key skill Shastar Vidiya teaches is deception. It's the blows your enemy never sees coming that do the real damage." For followers of Shastar Vidiya, the martial art is more than just a fighting style. Acolytes are expected to live up to strict religious principles and honour martial codes. The roots of shastar vidiya are not known but there is evidence to suggest that India's martial arts predate those from China and Japan.

    Indian monks were the first to export Buddha's new teachings across the Himalayas and according to Chinese legend it was an Indian monk called Bodhidharma who first introduced martial arts to the famous Shaolin Temple in AD 600. Bodhidharma himself is thought to have come from south India where another indigenous fighting style known as Kalaripayattu has also undergone a recent renaissance.

     

     

    Sparring with daggers
    Nihang Singhs performing Gatka, Punjab, early 1980s
    Krishan Maharaj engaged in 'Platha' (unarmed), Qila Mubarak
    Bhujangi Singh, Pothimala Building
    Akali Nihang Singh, fresco Dehradun

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