techniquesof
sanatanhindusikh
shastarvidiya

In contrast to the higher fighting 'Yudhan' styles within Sanatan Hindu Sikh Shastar Vidiya, the deficiency within modern 'Jahir Gatka' practitioners ('Gatkabaj') is the lack of knowledge of 'Pentra' - which soon becomes apparent once they begin showmanship 'sparring'.

After a number of exaggerated, flowery, and entirely ritualistic movements, upon sparring, they firmly plant one leg forward and establish their feet without appreciation of distance, danger or skill. They begin the mindless exercise of striking in turn weapon on weapon or, weapon on shield.

The little footwork do they possess on engagement is entirely linear - moving either backwards or forwards.

Amongst exhibition artists throughout India, although being of a higher calibre than their Sikh equivalents, the essence remains that of entertainment - not of combat. Even many practitioners of Indian martial arts such as kalarippayattu, Silambam (Silambattam), Vajar Mushti. etc, are now practicing a ritualised version of the true killing art that was its predecessor.

Practitioners of Gatka have no appreciation of the ten (traditional) entry points around the body, or moving in ten compass directions, or concept of targeting 'Marma' (vital points).