techniquesof
sanatanhindusikh
shastarvidiya

The 'Khat Ang Yudhan' techniques merge into the 7th, 'Sapt Ang Yudhan' of 'Kal Yudhan'.

The 'Sapt Ang Yudhan' places more emphasis on the ability to fight 'on-the-move', and allows the rapid utilisation of all skills from the 'Khat Ang Yudhan' styles:

Baagh Yudhan (Leopard style)

Origins: Himalayas (Kalisa)
Combat style of the 'Bagh'- the mount of eight armed goddess 'Chandi'. Being the chariot and servant of Chandi, the the Bagh is considered to be blessed above the other deities. It is characterised by one-and-a-half step (running) Pentra which is an extremely light. This style emphasises supreme agility and anticipation. The unique nature of this Pentra involves one foot always remaining off the ground. Its true strength lies in its vicious explosive strikes executed whilst on the move, and the ability to instantaneously transmute into any of the lower 'Khat Ang Yudhan' 'Virahaa Yudhan', 'Sheshnag Yudhan', etc. as and when required. It is the first of the higher sparring 'Yudhan'.Unlike the Pentras listed above, this one is never performed unarmed. The first weapon employed is the 'Kara' used to fight 'Loh Mushti'.

Beyond this are the final forms of 'Sat Dev Ang Yudhan' of 'Kal Yudhan'.